Bronston release new single ‘Temples & Mines’

The modern alternative rock crew known as Bronston have released their latest official single, “Temples & Mines.” The track has been proudly published as an independent release without the involvement of the corporate music industry. Bringing powerful guitars, sweeping harmonies and a balanced dose of swagger, “Temples & Mines” showcases Bronston as one of the most intriguing modern alternative rock artists of the year so far and promises that they have plenty more where that came from.

Scotland’s Bronston cite as main artistic influences Foals and Queens of the Stone Age, but fans of bands like Arctic Monkeys and Tame Impala will also find more than enough meat on the bone in “Temples…” Bronston’s own sound takes elements from each of these and blends them into a result likely to please both audiophiles who like carefully plotted composition and carefree fans of radio-friendly pop rock alike. With an emphasis on songwriting, emotional draw and straight-up precision performance, “Temples & Mines” by Bronston has a little something for everybody.

Having worked with Rod Jones (Idlewild) on their first two releases of 2019 – ‘Leaving Utopia’ and ‘Burnt Snakes’ – the band went on to release their self-produced ‘I’m Still A Fool’ at the end of the year. Now they are back, bigger and better than ever. Thanks to a new and thriving working relationship with A-list producer Luke Bovill, Bronston say they’re confident releasing the most personal music of their career to date.

‘Temples & Mines’ is a song about the struggle of managing your mental health,” writes singer Adam Campbell, “finding ways to keep on top of the challenges that life brings, and maintaining focus on the good things that motivate you to persevere through bad times. Sometimes when negative feelings start to hit you, it’s possible to notice what’s happening and take steps to break that downward spiral.”

That spiral and its remedy lie at the heart of their new single.

You do something that gets the blood pumping, or you do something that gets the brain firing, or maybe you blow off some steam,” Campbell says. “The upbeat verse sections of ‘Temples…’ tell the story of that empowering feeling that comes from fighting to get through dark times and knowing that you made the decisions to overcome what made you want to give up.”

Ultimately, it’s a story of empowerment stemming from recognizing one’s inner strength.

Knowing that you can choose to embrace the challenges of life and that you can get to a better place is powerful,” writes Campbell.

Campbell wrote the song during a time of “little structure” in his life, Bronston’s current official bio says, a time when he began: “to realise that he had to start taking charge of his own problems and start taking responsibility for making a positive difference to the world. He was beginning to see value in things he previously had not seen value in. He was realising that the structures, routines, and habits that come from Temples (people’s places of worship, places of enjoyment, or places of peace) and Mines (places of work) can have a profoundly positive impact on a person.”

Campbell didn’t have either temples or mines as such, but he worked toward them using tools in himself he was only beginning to understand, the “little things that helped keep me sane through it all.” He has said that all his greatest achievements have come since writing this song, but that the hardest
periods of his life have come since, as well. Temples & Mines captures that balance. Ultimately the dark side of this song wins out over the light, but it also conveys that while “Temples…” was being written, depression and anxiety were still winning more often than not.

There is a lot more to come from Bronston who are more ready than they have ever been to expose their vulnerabilities to the world in 2020. This is the first taste of a new animal.

Bronston are Adam Campbell on vocals and guitar, James Callaghan on backing vocals and bass, and Mark Hennys on drums and percussion.

Temples & Mines” by Bronston is available from quality digital-music stores online worldwide now. Get in early, modern alternative rock fans.

-S. McCauley

Lead Press Release Writer

www.Octiive.com

Temples & Mines” by Bronston –

https://www.amazon.com/Temples-Mines-Bronston/dp/B0876HXBKX/

Leaving Utopia” Official Video –

https://www.youtube.com/watch?v=41N3xfjVKT8

Official Website –

bronston.co.uk

Eventide releases new single ‘Let Tomorrow Be Like Yesterday’ during COVID-19 quarantine

Rock trio Eventide have released their latest official single, “Let Tomorrow Be Like Yesterday.” The track has been proudly published as an independent release without the involvement of the corporate music industry. It is the first single and title track from their upcoming debut album of the same name. Driving, charged with passion, and bringing that unstoppable power-pop sound squarely into the spotlight once again, “Let Tomorrow Be Like Yesterday” showcases Eventide as one of the most intriguing rock crews of the year so far and promises that they have plenty more where that came from.

San Diego’s Eventide is the passion project of musician, singer and songwriter Todd S. Wonkka, who cites as main artistic influences Oasis, Nirvana, Foo Fighters, the Smiths, the Beatles, the Cure, and Depeche Mode. Eventide’s own style takes elements from each of these and adds something fresh and unique for a result which will both win fans new to the sound and please longtime loyalists from everywhere. With an emphasis on irresistible hooks, infectious melody lines, and plenty of deep-pocket groove, “Let Tomorrow Be Like Yesterday” by Eventide has a little something for everybody, but particularly rock music lovers.

What I love about rock ‘n’ roll is the independent platform it gives to humankind,” writes Eventide’s Todd Wonkka. “Even if they’re not playing, performing, or singing it, they’re feeling it, riding the dissent into their own beautiful madness.”

Asked to describe the overall meaning of “Let Tomorrow Be Like Yesterday,” Wonkka says, “It’s about recognizing that there is something wrong with the world and we need to change.”

As timely as it is contemporary, “Let Tomorrow Be Like Yesterday” works as social commentary as well as strong tunes.

I love music, plain and simple,” writes Wonkka. “But COVID-19 definitely had something to do with ‘Let Tomorrow Be Like Yesterday’ being my first release from the upcoming album. The theme of it fits the time.”

Originally from Massachusetts, Todd Wonkka moved west at the age of 18, where he found himself playing bass for Los Angeles rock band Barefoot Bride. After five years in LA, he picked up and moved to San Diego where today he teaches tennis and performs at local spots. A natural-born writer, Wonkka has written hundreds of songs, short stories, and a novel published 2019, “Under The Rug,” which describes the life of a Hollywood rock star.

Eventide are Todd S. Wonkka, Ian Phillip, and Brian Shuff.

Thanks to my wife, Marissa, and my kids, Kade and Kanon for their support,” Wonkka says. “And to Ian Phillip, my friend and bass player, for his constantly amped attitude.”

Let Tomorrow Be Like Yesterday” by Eventide is available from quality digital music stores online worldwide now. Get in early, rock fans.

-S. McCauley

Lead Press Release Writer

www.Octiive.com

Let Tomorrow Be Like Yesterday” by Eventide –

https://www.amazon.com/Let-Tomorrow-Be-Like-Yesterday/dp/B087W14GFD/

Official Website –

www.eventidetheband.com

The Marica Frequency releases new LP album ‘When Things Fall Down’

The alternative, indie rock crew known as The Marica Frequency have released their latest official LP album, “When Things Fall Down.” The LP album contains nine original Marica Frequency tracks for an approximate total listening time of 45 minutes. It has been proudly published as an independent release without the involvement of the corporate music industry. Eclectic, sonorous, and blending the rougher edges of alt-rock with the raw delicacy of early indie music, “When Things Fall Down” showcases The Marica Frequency as one of the most intriguing rock offerings of the year so far and promises that they has plenty more where that came from.

The Marica Frequency from the United Kingdom cite as main artistic influences Roger Waters, Ben Cooper, The Beatles, Jason Pierce, and Justin Vernon. Their own sound takes elements from each of these and adds something fresh and unique for a result unlike anything today’s music fans have heard before. With an emphasis on varied and poetic songwriting, creative, kaleidoscopic soundscaping and natural, heartfelt vocal performances, “When Things Fall Down” by The Marica Frequency has a little something for everybody.

Asked to describe the overall meaning of “When Things Fall Down,” The Marica Frequency writes, “’When Things Fall Down’ offers an insight into the bad decisions made during our youth, the people that these decisions effect, and the regrets that you carry through with you. The main message it shares is that we should not waste time trying to change the past, but instead put all our energies into learning from it.”

When Things Fall Down” by The Marica Frequency is available from over 600 quality digital music stores online worldwide now. Get in early, indie and alt- rock fans.

Be sure also to visit the official Marica Frequency YouTube channel for official videos, live takes, exclusive recordings and more.

-S. McCauley

Lead Press Release Writer

www.MondoTunes.com

When Things Fall Down” by The Marica Frequency –

https://www.amazon.com/When-Things-Fall-Marica-Frequency/dp/B07M79JWGQ/

The Marica Frequency Official YouTube Channel –

https://www.youtube.com/channel/UCJUZt–ASwgOHaiwh-gf6NA

“When Things Fall Down” on Spotify –

https://open.spotify.com/album/7qSivtU9W3yiZEwyfoz7vY

Altro Sound releases debut EP album ‘Deepest Point – Pt. 1’

The alternative rock crew known as Altro Sound have released their debut official EP album, “Deepest Point – Pt. 1.” The EP album contains four original Altro Sound tracks for an approximate total listening time of 15 minutes. It has been proudly published as an independent release without the involvement of the corporate music industry on the Independent record label. Rolling, eclectic, and bursting with style, “Deepest Point – Pt. 1” showcases Altro Sound as a surprise indie rock treat for Q1 this year, and promises that they’re a name to watch in 2019 and beyond.

Toronto, Canada’s Altro Sound cites as main artistic influences Amy Winehouse, Leon Bridges, Kings of Leon, Paolo Nutini, Sam Cooke, Ray Lamontagne, Radiohead, John Mayer, Interpol, and others. Of these, Altro Sound’s “Deepest Point – Pt. 1” shares elements with Winehouse, Kings of Leon and Radiohead, but with a delivery slightly more Nick Cave than John Mayer. The juxtaposition helps to balance the tone of the record, which is likely to appeal to a broad spectrum of alt-rock and indie fans.

With an emphasis on clean, precise guitar work, raw, genuine vocals, and songwriting with one foot in alternative rock and the other in the American south, “Deepest Point – Pt. 1” by Altro Sound has a little something for everybody.

Asked to describe the overall theme of “Deepest Point – Pt. 1,” Altro Sound writes, “Our debut album is a collection of works written through the highs and lows of adolescence and young adulthood. It’s about the beacons of hope and the letdowns aplenty one experiences when transitioning into a realm of self-direction; the early steps away from institutional socialization of school and into the real world, alone.”

Deepest Point – Pt. 1” has a clear aim, in fact, one which reaches the listener before the opening track is through. Altro Sound want to comfort.

The message of music brings security in times when one is most alone and unfamiliar,” they write. “We want to share that gift – the feeling of unity within the human condition to others through vocally driven, lyrical accounts of growing up.”

Altro Sound’s “Deepest Point” Parts 2 and 3 are scheduled to drop on Feb. 1 and Mar. 1, respectively.

Deepest Point – Pt. 1” by Altro Sound on the Independent label is available from over 600 quality digital music stores online worldwide now. Get in early, alternative rock fans.

-S. McCauley

Lead Press Release Writer

www.MondoTunes.com

Deepest Point – Pt. 1” by Altro Sound –

https://www.amazon.com/Deepest-Point-Part-Altro-Sound/dp/B07LC8QP6P/

Eric Slater releases new single ‘Following the Blind’


The Los Angeles-based musician known as Eric Slater has released his newest single, “Following the Blind.” The single is Slater’s most significant musical release since his popular song, “Dead Men” hit digital shelves around the world in February, sending ripples throughout the audiophile underground everywhere. Fans of Slater old and new are sure to be delighted with this latest offering, which boasts all the exceptional sonic qualities his following have come to expect from him.

Speaking candidly of the themes of his latest single, Slater writes, “’Following the Blind’ was directly inspired by a short story from a good friend of mine. He shared the idea with me and I wrote the song with the general theme in mind, but putting more of a personal twist on it.”

“Following the Blind” is a parable of timeless proportion and relevance that has many current events at heart. It speaks to everyone alive in today’s chaotic world.

“The song touches on the sheep and the shepherd thing. Everyone thinks they have the answer, yet no one really has much of a clue. Heroes can easily become villains and vice versa. I guess you can say it’s a satire on the absurdity and fickleness of popular opinion.”

Slater cites as main artistic influences a broad array of sounds, including Beethoven, Jimi Hendrix, Nina Simone, Sublime, Wu Tang Clan, Jeff Buckley, and Miles Davis.

Slater’s acoustic solo debut album, “On the Edge of Something More,” was released in 2005. He has contributed his vast talents to various acts, including guitars, songs and vocals to bands such as Martha Davis and the Motels, Bomb Squad, Moflo, Off Limits, Aurora Beckons, Astral Aliens, and Tres Aliens.

“Following the Blind” by Eric Slater is available online worldwide.

-S. McCauley

Staff Press Release Writer

MondoTunes

ARTIST CONTACT INFO:

eMail –

eric@ericslater.com

Website –

http://www.ericslater.com

Twitter:

http://www.twitter.com/ericslatermusic

Eric Slater releases new single “Dead Men”


Musician Eric Slater has released his newest single, “Dead Men.” The track is an introspective, triumphant, yet darkly bleak rock waltz that plays on mortality for its theme. It is the first published single for Slater as a solo artist since his 2007 LP release, “Redemption & Disorder,” the light and airy nature of which shares few characteristics with the lurking and sinister, “Dead Men,” except that both are quality works of music from the same artist. In many respects, though, “Dead Men” is the superior result.

Slater’s guitaring, though he is capable of playing in a wide variety of styles, is slowly strummed for this track in a black and blue tone that contains goth and punk-rock tendencies, reminiscent of Nick Cave’s work, or of TSOL’s mellower side (“Weathered Statues,” for instance). The song is crooned out by Slater in an intimate, cracking voice that sounds like a shadowy and more masculine Neil Young with a tinge of David Bowie, like the Verve’s Richard Ashcroft, although more mid-west American in the delivery.

It is to the track’s benefit that Slater’s vocals are way out front in the single’s mix, too, because his performance is a studied, yet natural perfection, showcased plainly here where he can be enjoyed without too much ornamentation to get in the way. The real show-stopper, though, is almost certainly Slater’s songwriting. His lyrics are poetic, precise, and use a mixture of repetition and creative phrasing that keeps the narrative of “Dead Men” interesting from turn to turn; however, it is important to note that the vocals and instrumentation, together with a groove that tit-tat’s along like the wheels of a carriage on cobblestones, are more than enough to keep a music fan’s interest alone.

“Dead Men” represents the culmination of Slater’s last six years spent meticulously honing his talents as a solo performer, and if the music world has much more of this to look forward to from him, then the sooner his next full-length is ready for distribution, the better off it will be for music listeners everywhere.

Eric Slater’s “Dead Men” is available everywhere beginning 16 February 2013.

-S. McCauley

Staff Press Release Writer

MondoTunes

ARTIST CONTACT INFO:

eMail –

eric@ericslater.com

Website –

http://www.ericslater.com

 

Twitter –

Texas-based Indie duo The Disappearing Act release new album “Born to Say Goodbye.”

The independent alternative music duo known as The Disappearing Act have released their latest record, “Born to Say Goodbye.” The LP is proudly released by independent label HIT Records (Dallas, TX) and published by Houdini Escape Music (El Paso, TX). Genuine, natural, full of harmony and acoustic grace, “Born to Say Goodbye” from The Disappearing Act is real music by real people for fans of good things everywhere.

The Disappearing Act consists of the music partnership of Salim Nourallah and Bob Blumenfeld, who cite among their many artistic influences the Beatles and Wilco. The resulting music produced by the duo offers a complimentary blend of acoustic and electronic sounds. Like sonic novelists, Nourallah and Blumenfeld use their unique tone as paper on which they write a true and melancholy tale. This story has been called “a painfully personal masterpiece, with an almost ear-to-the-wall intimate atmosphere that permeates the ten-song collection, each chronicling the dissolution of Nourallah’s marriage.”

In “Born to Say Goodbye” the Disappearing Act utilize a combination of production, instrumental, and compositional genius to arrive at artistic purity surpassing what the most critical audiophiles would come to expect, left alone from an independent act from Texas. Much of this is due to the unassuming cleverness in Blumenfeld’s chord progressions, with much also to Nourallah’s unabashed self-expression.

“I’d come out to my studio, when I was feeling emotionally beat-up from what I was going through and just sit down with the tracks,” Nourallah writes. “I never put pen to paper to write the words; basically it was all free association.”

Not unlike the famous poetry method of William S. Burroughs, Nourallah cut-and-pasted sections of his song to make a working narrative. “If we’d been in the ‘60s trying to write songs like this, we’d have been cutting up pieces of recording tape and taping them together, but in essence that’s what I was using the computer to do.”

The Disappearing Act’s “Born to Say Goodbye” LP is the second official album from the group. It is preceded by their self-titled debut record which hit digital shelves in 2010 on Tortilla Records.

And as for the band name?

“One reason we call it the Disappearing Act is that we never had any intention of being a performing band,” writes Nourallah. “We never had any intention of performing live, or making it into something more than a songwriting project. So, it seemed like an amusing and fitting name for the group because in essence the act has disappeared before it ever existed.”

“Born to Say Goodbye” by the Disappearing Act is available online worldwide. Fans of indie music everywhere should get in early.

“Born to Say Goodbye” by the Disappearing Act –

http://www.amazon.com/Born-Say-Goodbye-The-Disappearing/dp/B014B61ZY8

The Disappearing Act official website –

http://www.thedisappearingact.net/

Born to Say Goodbye” by The Disappearing Act on Bandcamp –

https://thedisappearingact.bandcamp.com/

Contact

Nicholas Altobelli – Press and Publicity – nicholas@daltonrecords.com

Bob Blumenfeld – Other inquiries – rlblumenfeld@gmail.com