Desert Sparrow releases debut EP ‘Leave This Town’

The indie music duo known as Desert Sparrow have released their debut EP record, “Leave This Town.” The record comprises four original tracks for an approximate total listening time of 18 minutes. It has been proudly published as an independent release entirely without support of the corporate music infrastructure. A seamless blend of contemporary folk and old-fashioned, bluesy rock ‘n’ roll, “Leave This Town” is a raw and unadulterated serving of sound any music fan can get behind.

 

The heart and soul of Desert Sparrow are Kylie Adams and David Carreno. They cite as main artistic influences Fleetwood Mac, Black Rebel Motorcycle Club, Kings of Leon, and Angus and Julia Stone. This list of legendary groups does not add up to a round understanding of the Desert Sparrow style, however. Desert Sparrow are natural musicians in the truest sense of the word. Their undeniably great vocals and refreshingly tasteful instrumentation are merely ancillary qualities, the proverbial icing on the cake in light of startlingly solid songwriting that is (literally) packaged for play on public radio around the world.

 

The sense of Desert Sparrow simply going outside to enjoy themselves with a song or two and incidentally making a four-star album is palpable. This unassuming goodness is also reinforced by a characteristic humility that can’t help but distinguish them in the land of competition that is Los Angeles. Asked to describe their start in music, this modesty is plain to see.

 

They write that they began by attending “Singer-songwriter nights for fun. Everybody around us kept hassling us saying that we needed to give the music business a shot.”

 

Asked to describe the underlying message of their first official album, Desert Sparrow explains that “The main theme of the EP is believing in your dreams. Don’t let anything or anyone get you down. Get out there and make it happen. Don’t conform because it’s easy, be true to yourself.”

 

“Leave This Town” by Desert Sparrow is available online worldwide.

 

-S. McCauley

Lead Press Release Writer

http://www.MondoTunes.com

 

Leave This Town” by Desert Sparrow –

 

http://www.amazon.com/Leave-This-Town-Desert-Sparrow/dp/B00NH2D9DI/
Website –

www.desertsparrowmusic.com

Stan Swanson releases new EP ‘Driving Down to Eden’

The singer and songwriter known as Stan Swanson has released his latest EP record, “Driving Down to Eden.” The EP is composed of four original tracks for an approximate total listening time of 14 minutes. It has been proudly published as an independent release on the Stony Meadow Records music label. Generally found online listed in the contemporary folk category, Swanson’s “Driving Down to Eden” is a purely American record colored brightly with earnest storytelling and a dash of rock ‘n’ roll.

 

That Swanson’s music should fall into the folk genre makes sense. He lists as main artistic influences Bob Dylan, Paul Simon, Patty Larkin, Bob Lind, and the Beatles. Like the best folk artists, however, his overall timbre is his own and he sounds like no one but himself. As a songwriter with decades of experience playing his own music, this also seems intuitive. Swanson began writing music at the age of 13 in the 1960s.

 

“I write songs that speak to me on a personal level,” he explains. “Some have deeper messages than others. I mean, every songwriter writes about falling in love as well as falling out of love. And, yes, I have written my fair share of those. But I also relate to the folk music of the sixties which was a great era for songs that had something special to say.”

 

Like some of the best loved folk tunes of that epoch, however, there’s more to Swanson’s sound than the traditional folk pattern.

 

“I am a very eclectic songwriter and although I feel my roots are in the folk genre, my songs take me in every direction possible.”

 

Swanson’s inclination to diverge from typical modes of folk music is a reflection of his own multifaceted nature. While ‘Driving Down to Eden” is his most widely distributed album to date, he is also the published author of several popular books available online.

 

Swanson writes, “I split most of my time between writing novels and performing. I have written eight books and am working on a couple more.”

 

Nevertheless, fiction can only satisfy his muse by so much.

 

“I’ve played in many groups and bands and then went solo for awhile. I left the music scene for several years, but that magical pull finally brought me back. There’s nothing quite like it.”

 

“Driving Down to Eden” by Stan Swanson is available online worldwide.

 

-S. McCauley

Lead Press Release Writer

http://www.MondoTunes.com

 

Driving Down to Eden” by Stan Swanson –

 

http://www.amazon.com/Driving-Down-Eden-Stan-Swanson/dp/B00NU93P0U/

Jeff Gray releases new single ‘The Stories’

The composer and producer of electronic dance music known as Jeff Gray has released his latest single, “The Stories,” featuring Corey Friesenhan. The track has been proudly published as an independent release entirely without financial backing from the corporate music industry. Spacious and ethereal, rhythmic and buoyant, vivifying and full of drum ‘n’ bass, “The Stories” is a single which helps define the signature Australian EDM sound called Melbourne bounce.

 

The DJ from southeastern Australia cites as main artistic influences many of the world’s most respected contemporary digital musicians, such as Avicci, Will Sparks, Calvin Harris, Joel Fletcher, SWM, TJR, and Reece Low. Gray’s own style, however, is only tinted by such inspirations, having an overall color which takes its hue from the sonic culture of his locale.

 

After leaving the New South Wales Police Force, Gray began performing as a DJ all around the area’s best dance clubs. His official bio states that “Jeff Gray earned his stripes at venues such as the Goulburn Workers Club, the Burns Club in Canberra, the Mittagong RSL Club and various other venues in Goulburn, the Southern Highlands, and the Australian Capital Territory.”

 

Gray picked up music at the age of seven, beginning with guitar. When the rest of his life got in the way of his music, it would take many years before working as a disc jockey for parties and clubs started his creative machinery whirling again.

 

“I enjoy playing and making music that makes me feel good,” he writes. “If I can replicate that feeling in others, then that’s a bonus. Music should always be a visceral experience and I hope to invoke many different emotions with music I play and produce.”

 

Jeff Gray has been producing music now since 2011. His featured musician on “The Stories,” Corey Friesenhan, is a seasoned producer in his own right and will release the second volume of his popular vocal sessions collection, “Banshee,” in October of 2014.

 

“The Stories” by Jeff Gray featuring Corey Friesenhan is available online worldwide.

 

-S. McCauley

Lead Press Release Writer

http://www.MondoTunes.com

 

The Stories” by Jeff Gray featuring Corey Friesenhan –

 

http://www.amazon.com/Stories-feat-Corey-Friesenhan-Single/dp/B00N9TM2HS/

 

Website –

 

www.jeffgray.com.au

La’Que releases new LP ‘Who’s Backstabbing Who?’

The veterans of R ‘n’ B music known as La’Que have released their latest LP record album, “Who’s Backstabbing Who?” The album is composed of nine original songs for an approximate total listening time of 40 minutes. It has been released on the Walking Tall Records independent music label. Slick, sonorous, and irresistibly debonaire, “Who’s Backstabbing Who?” is an album which can’t help but revive the fire in the hearts of all who hear it.

 

La’Que cite as main artistic influences such notable performers as Anthony Hamilton, Paul McCartney, Maxwell, and the Temptations. Their signature, inimitable style is gilt with common qualities of all these, but retains that attribute which is perhaps most important to the groove and timbre of an R ‘n’ B record: that unmistakable Chicago sound.

 

With tracks written by longtime La’Que members Jimmy Lloyd and Terry Snodgrass, “Who’s Backstabbing Who?” is a reminder of what made R ‘n’ B unforgettable in its golden era of the 1970s. Bedecked with strings, bass, three-part harmonies and impeccable lead vocals, La’Que’s new album is easily superior to most of the rhythm and blues played regularly on today’s public radio stations.

 

Speaking of the themes of their new LP, La’Que write that it is, “Very direct to its listeners. We make our music believable and to the point. Our titles of our songs are self-explanatory and very heartfelt and soulful.”

 

More than merely meaningful, however, “Who’s Backstabbing Who?” has more boogie in its heels than James Brown at a Sunday service. Music fans who enjoy records by artists like the Four Tops, the Spinners, and Gladys Knight and the Pips are sure to be enthusiastic about this new LP from one of mid-western Chicago’s most striking and unstoppable R ‘n’ B groups.

 

“Who’s Backstabbing Who?” by La’Que is available online worldwide. Get in early.

 

-S. McCauley

Lead Press Release Writer

http://www.MondoTunes.com

 

Who’s Backstabbing Who?” by La’Que –

 

http://www.amazon.com/Whos-Backstabbing-Who-LaQue/dp/B00NH2RC9A/

 

Website –

 

http://walkingtallrecords.com/

Frank Arnold releases new single ‘World In Between’

The composer and producer of electronic music known as Frank Arnold has released his latest official single, “World In Between.” It has been published on the Galileo Dreams Recordings independent music label and is available at iTunes, Beatport, and everywhere good digital music is sold. Mellow, spacious, and populated with several undeniable melodic phrases, “World In Between” is a reminder of just how good modern electronic music can be.

 

German-born Berliner Frank Arnold cites as main artistic influences Enigma and Jean-Michel Jarre. He has also been quoted as preferring music by such composers as Astrix, Astral Projection, Infected Mushroom, Schiller, Above & Beyond, Kaskade, and ATB. Arnold’s own music is often much more subdued than what is expected of the EDM genre, however. Billed on iTunes as electronic, ambient, and lounge music, Arnold’s “World In Between” is perhaps best considered an example of what fans of electronic dance music often refer to as “chillout” music.

 

Frank Arnold has been playing music since the age of nine, at which age he discovered an accordion in his parents’ flat. He took accordion lessons for many years before hearing Jean-Michel Jarre’s seminal album, “Oxygen IV” on the radio. (Jarre has been entered into the Guinness Book of World Records four times for performing the largest concert ever; 3.5 million people attended his show in Moscow). After being inspired by Jarre, Arnold dedicated himself to the practice and production of electronic music.

 

Arnold began to focus on sound design and synthesis in the early ’90s, producing several demo tapes which were ignored by record companies in that highly competitive and elitist era of professional music. He left off music production for software development until 2004, when he was exposed to Chicane, Enigma, and the talented trance artists of Israel’s digital music underground. Since that time, Frank Arnold has been sculpting his own music style, which he considers to be an amalgam of ambient, trance, and pop music.

 

“World In Between” by Frank Arnold is available online worldwide. Get in early.

 

-S. McCauley

Lead Press Release Writer

http://www.MondoTunes.com

 

World In Between” by Frank Arnold –

 

https://itunes.apple.com/us/album/world-in-between-single/id906430198

 

Website –

http://4damind.com/

Tony Spades releases new single ‘Standing There’ feat. Lynia Love

The rapper and songwriter of hip hop known as Tony Spades has released his latest single, “Standing There,” featuring Lynia Love. An official music video for “Standing There” has also been released for viewing online. “Standing There” has been published on the FreedomBorn independent record label, which Spades co-founded in 1999 with fellow producer, recording artist and F.A.M. alumnus, Adychshun. Classy, slick and booming with drum ‘n’ bass, “Standing There” by Tony Spades is a new rap track with an old-school soul, and just what the scene has been looking for.

 

Tony Spades (also sometimes billed as Johnny Torch) cites as main artistic influences such legends as the Notorious B.I.G., Jay-Z, Kool G. Rap, and Big Daddy Kane, all of whom hail from the original home of rap music, the American East Coast. As might be intuited, Spades’ performance on “Standing There” presents the same clear-spoken, well-written and in-your-face delivery of lines and rhymes which first made the genre popular.

 

Writing about the general themes of his latest single, Tony Spades writes, “We all have people in life who don’t have our best interests in mind. No matter how much they try to hide their intentions, we see them for who they really are.”

 

Backing Spades on the track is vocalist Lynia Love. Love is mainly known for her work as an actress and model based in Philadelphia, but performs admirably on Spades’ new single. Her most recent film, “Love Him or Leave Him” was released mid- August 2014. Love also appears in the official music video for “Standing There” and has prominent roles in both the video and the single.

 

Tony Spades was raised in NYC’s Brooklyn Borough and began his career as part of the pre-teen rap crew, M.O.B. (Masters of Brooklyn) in 1989. After performing live throughout his youth and young adulthood, Spades and Adychshun released F.A.M.’s debut album, “Hungry,” in 2009. Spades’ “Standing There” is the most important official release from the artist since his solo debut single, “Respect Mine,” appeared in 2011 presented by Island Def Jam Records.

 

“Standing There” by Tony Spades is available online worldwide.

 

-S. McCauley

Lead Press Release Writer

http://www.MondoTunes.com

 

Standing There” by Tony Spades –

 

http://www.amazon.com/Standing-There-feat-Lynia-Love/dp/B00NJMVGQ8/

 

Website –

www.tspades.com

Vermin and the Beachrat release new EP ‘My Fantasy’

The singer and songwriter known as Vermin and the Beachrat has released his latest EP record album, “My Fantasy.” The album is comprised of seven original tracks for an approximate total listening time of 25 minutes. It has been published as an independent release and is listed variously online under the country, alt-country, and Americana music genres. Stylish, eclectic, creative and rocking, “My Fantasy” by Vermin and the Beachrat is a new sound for the modern age with echoes of classic rock in its bones.

 

Vermin and the Beachrat cites as main artistic influences some of the best songwriters of rock ‘n’ roll, such as the Beatles, Neil Diamond, Led Zeppelin, John Fogerty, and the solo work of John Lennon. Vermin’s own sound, however, is one which must be heard to be understood. A melodic mix of surf-rock tones and shadowy rockabilly singing, not unlike the vocals of Nick Cave crossed with those of Roy Orbison, is perhaps the EP’s most striking quality. Consistently strong songwriting, too, places this album among Vermin and the Beachrat’s best releases.

 

Speaking of the themes of the “My Fantasy” EP, Vermin and the Beachrat writes, “I’m an American singer-songwriter writing songs about love, hope, and dreams. My goal is to unite the world to work together through music.”

 

Vermin and the Beachrat is a veteran songwriter who wrote all the material for the Beachrats in the 1980s and ’90s. After the members of that early group left for various reasons over time, Vermin kept his edge as many other musicians do around the world: he played in cover bands. Leaving the cover circuit to return to writing originals in 2009, Vermin and the Beachrat released a seven-song debut EP in 2010 titled “Crossing the Line.” The debut record is still available for preview and purchase online, but Vermin’s sound doesn’t fit the typical pigeonholes.

 

“I still haven’t figured out the genre,” he writes. “Guess that’s what makes my songs original. They are heartfelt songs. I call it beachrat music.”

 

“My Fantasy” by Vermin and the Beachrat is available online worldwide.

 

-S. McCauley

Lead Press Release Writer

http://www.MondoTunes.com

 

My Fantasy” by Vermin and the Beachrat –

 

http://www.amazon.com/My-Fantasy-Vermin-Beachrat/dp/B00N8JEIPI/

Website –

VerminandtheBeachrat.com

Heru Khuti to release new singles ‘Wimbledon Carnival,’ ‘Premier League,’ and ‘Fantastic Cricket.’

The music project known publicly as Heru Khuti is slated to release a trio of new singles, titled “Wimbledon Carnival,” “Premier League,” and “Fantastic Cricket” respectively. The tracks are to be distributed to over 750 online music stores around the world, representing what is most certainly the most significant official music release of Heru Khuti to date.

The Heru Khuti music project is the brainchild of Dr. Noel A. Campbell, PhD, who writes all the Heru Khuti material and governs the music from his website based in Birmingham, UK (link provided below). Asked to cite some main artistic influences, Dr. Campbell writes in the signature mystic fashion which is his own:

“The Creator have made natural, skills of art in me, that is the influences, the first man blessing to me, you called him God!”

Dr. Campbell has been writing and performing music since he was in the first of three armies, which martial time began more than two decades ago in 1993. Upon being asked to describe the general motifs, themes, and subjects his three new singles, “Wimbledon Carnival,” “Premier League,” and “Fantastic Cricket,” he again refers to his knowledge of esoteric wisdom unknown to the uninitiated. His response is faithfully reprinted below sic erat scriptum, exactly as Dr. Campbell laid them down.

“It shares the truth of present happiness, reality.

Who no me since 1993, share my views, that I don’t differ from the first sentence above.

My message most time heal the pain and anger, that my listeners face day by day.”

Regarding the name of his music project, Heru Khuti is sometimes defined as the Principle of Divine Justice. The Ausar Auset Society in Hampton Roads, VA writes of Heru Khuti that “It is our responsibility to realize that Divine Protection is insured when we live in harmony with the Eleven Laws of God. Doing so provides us access to Divine Knowledge and Power, and the Courage always to utilize them.”

An official artist’s bio is not to be found for Heru Khuti, however, and neither is there a Facebook page nor Twitter account associated. Dr. Campbell gives his respectable reasons openly.

“No,” he writes, “I wont write a bio until the world no about me in a special way; at this point, the world hardly no, that I exist. When the time is right, I’ll do a perfect bio based on the acceptance of the world. For now I find something temporary to stand. A government never get into power without the peoples acceptance.”

“Wimbledon Carnival,” “Premier League,” and “Fantastic Cricket” by Heru Khuti will be distributed around the world in the near future.

-S. McCauley

Lead Press Release Writer

http://www.MondoTunes.com

eMail –

herukhuti9@googlemail.com, heru9@hotmail.co.uk

Website –
http://www.theworldsalecorporationpoint.co.uk

Måns Williamson releases LP record ‘Postcard’

The singer and songwriter known as Måns Williamson has released his most high-profile record to date, “Postcard.” The LP album comprises nine original tracks for an approximate total listening time of 40 minutes. It has been proudly published as an independent release without financial backing from the corporate music industry. Raw, natural, and full of passion and spirit, “Postcard” proves that alternative country music comes from the heart, not just from Nashville.

 

Swedish composer Måns Williamson cites as main artistic influences such disparately talented musicians as Eric Bibb, Keb’ Mo’, Guy Clark, Luther Vandross, and even Algerian favorite, Souad Massi. This broad spectrum of personal interests may seem too differing to add much to Williamson’s personal style, yet inklings of each of them appear on “Postcard” in a variety of ways.

 

“Postcard” is a country/western record spiced with elements of alternative music, and each of its nine offerings brings its own theme and feel to the whole. Still, a heartfelt and folk-inspired narrative is something all of Williamson’s songs have in common. A short listen is all that is necessary to note the extreme care with which the artist has chosen his words.

 

A certain classic rock tonality pervades the record, too, which will be none too surprising to listeners already acquainted with him. Speaking of his start in music at the age of 10, he writes, “My father gave me a guitar when I was a kid and introduced me to bands like the Beatles and the Byrds.” This led him to busking on the streets of his hometown, playing folk and country music along with songs of the 1960s.

 

Born to parents who ran a music venue, Williamson was exposed to nearly every style of playing. His repertoire has included (and continues to be flavored with) an amalgam of musical modes such as jazz, soul, and even the music of Palestine, which he performed in a Palestinian band playing the Arabic lute before returning to singing and songwriting with an acoustic guitar.

 

Asked to relate the main message his record has in store for music fans, he writes simply that it is intended to communicate “Kindness and compassion towards others and yourself.”

 

“Postcard” by Måns Williamson is available online worldwide.

 

-S. McCauley

Lead Press Release Writer

http://www.MondoTunes.com

 

Postcard” by Måns Williamson –

 

http://www.amazon.com/Postcard-M%C3%A5ns-Williamson/dp/B00N9TM62E/

 

Lu Sloan to release new single ‘It Ain’t Nun’ prod. by Boogie Beatz

The rapper and songwriter of hip hop known as Lu Sloan will release his latest rap anthem, “It Ain’t Nun.” The track has been produced by Boogie Beatz and will be published under the Bang Bang Music Group independent record label. “It Ain’t Nun” is slated to be the most significant official single from Lu Sloan since his popular “Bend Over and Twerk (feat. Kia Shine),” which appeared in fall of 2013. “Bend Over and Twerk” was preceded by a pair of 2012 singles, “All I Know” and “Close Up,” the trio of which helped pave the way for the impending drop of “It Ain’t Nun.”

 

Lu Sloan cites as main artistic influences such hip-hop artists as Snoop Dogg, Ice Cube, Dr. Dre, Michael Jackson, Master P., T.I., UGK, Jay-Z, P. Diddy, and 50 Cent. In addition to these, Sloan also endorses various non-hip-hop music acts like MGMT, U2, Cold Play, the Bee Gees, and the Whispers. As a result, his hip hop is clever, unpredictable and multifaceted, as well as legitimately reflecting some of the grittier facts of life in urban America.

 

“I’ve been around a lot of talented people that were in my family,” Lu Sloan writes, “and they never really wanted to pursue the dream as much as I do. So that inspired me to get involved in music and team up with business partner Kris Pendleton and start Bang Bang Music Group. I want to give it all I’ve got!”

 

With powerful drive in the face of adversity like his, it should come as no surprise that Lu Sloan’s single has a theme which is closely related. The artist writes that “It Ain’t Nun” is about “The ups and downs on the road to success for a man with so much against him.”

 

Sloan has shared the stage with top-billing names like Rick Ross, Juicy J, Yo Gotti, Big K.R.I.T., Migos, and others. His upcoming LP, “The Flood 2,” features performances by Young Nation and Magnolia Chop, and that’s just what’s in the works presently.

 

“It Ain’t Nun” by Lu Sloan, prod. by Boogie Beatz, is available online worldwide.

 

-S. McCauley

Lead Press Release Writer

http://www.MondoTunes.com

 

Bang Bang Music Group –

 

http://www.bangbangmusicgroup.com/